Maureen O’Hara e John Wayne, em Depois do Vendaval
(The Quiet Man (1952), de John Ford
(The Quiet Man (1952), de John Ford
A sequência do beijo mais espetacular do cinema (Vídeo) | ||
… e o diálogo após a bofetada: | ||
Mary Kate "It's a bold one you are! Who gave you leave to be kissin' me? Sean "So you can talk! Mary Kate "Yes I can, I will and I do! And it's more than talk you'll be gettin' if you step a step closer to me! Sean "Don't worry - you've got a wallop! Mary Kate "You'll get over it, I'm thinkin' Sean "Well, some things a man doesn't get over so easy. Mary Kate "Like what, supposin'? Sean "Like the sight of a girl coming through the fields with the sun on her hair... kneeling in church with a face like a saint... Mary Kate "Saint indeed! Sean "...and now coming to a man's house to clean it for him. Mary Kate "But... that was just my way of bein' a good Christian act … | ||
... e o segundo beijo sob o vendaval no cemitério (Vídeo) |
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